Friday, May 2, 2014

Madame Joseph Forged More than Just Cancels?

I am on a short trip to British Columbia to attend a funeral. But I decided to bring my album of Northern and Southern Nigeria with me in order to begin the process of looking for plate flaws in the De La Rue Keyplate stamps of both colonies.

While examining the Queen Victoria keyplate issues of Northern Nigeria, I came across something very interesting that is also very mysterious.

Many philatelists who collect British Commonwealth have heard of Madame Joseph. She was a British Stamp dealer in London, who was famous for forging cancellations on many stamps that are worth much more used than mint. She was known to operate between the First World War and the end of the Second World War, and the period covered by her work is the late Victorian period through to the early Elizabethan period. She is also known to have offered a service in repairing stamps. However, no mention has been made in the literature of her altering the stamps themselves to create more collectible varieties.

I found potential evidence that suggests that either:

1. De La Rue recycled poorly inked sheets of stamps from one colony and used them to prepare the stamps of other colonies, or

2. That Madame Joseph, in addition to forging cancellations on stamps, was also faking them.

The title of this post ends with a question mark because I could not reach a conclusion about what I saw, and I am very much interested to hear what you readers think. I do not have access to a scanner out here, so I will have to post the pictures after I return from my trip. But for now, I will describe what I found.

I have two stamps from this series that I purchased with the well known Madame Joseph forged cancellations dated August 14, 1900. One is the 2d lilac and yellow orange, and the other is the 5d lilac and orange brown. Both stamps catalogue in the 60-65 pound range, against mint values of 16-28 pounds. It is not that large a difference, and it would seem to be too much trouble to bother ruining perfectly good mint stamps that are reasonably valuable in their own right.

But what if she didn't start with those mint stamps? What if she started with some cheaper keyplate of the same design like a 1/2d value from this colony, or another colony like Leeward Islands and altered them to produce these 2d and 5d scarcer stamps. What if she was starting with stamps that had a value under 5 pounds and was turning them into stamps worth 60 pounds and doing this in quantity? Well this would certainly seem a profitable venture.

While examining the 2d stamp closely, I noticed traces of green ink underneath the orange yellow inscription, and then again underneath the value tablet. This suggested that a 1/2d lilac and green stamp had been altered to produce the scarcer and more valuable 2d stamp. The only 1/2d stamps that I am aware of that were printed in these colours, in this design come from either (1) the Cayman Islands, (2) The Leeward Islands or (3) Northern Nigeria. Looking closely at the green ink traces, I could see very clearly that the last letter underneath the yellow orange ink is an "s", while the first letter is not a "c". This means that this stamp started life out as a Leeward Islands stamp. The 5d stamp also had some slight traces of green ink underneath the orange brown inscriptions well. The fact that both stamps came from the same source, both have the same fake cancels, suggests that Madame Joseph altered these stamps.

But the question is how? To do this, she would have to have produced, accurately, the lettering for the inscription, and the value tablets - not an impossible task for an experienced forger. However she would have to have had a way to remove the green ink inscriptions and value tablets from the stamps without altering or otherwise affecting the lilac portion of the designs.

There are essentially three ways that this could be accomplished:

1. By painting over the green ink using China white and then re-printing over the top of the white. Doing this successfully would require complete coverage within the top panel of the stamp and the value tablet, so that the areas where the white ends would not be visible.

2. By using a mineral solvent to dissolve the green ink or fade it out sufficiently to allow the yellow-orange or orange-brown ink to be printed over top of the green ink. A mineral solvent would be required, as the green ink is a singly fugitive ink, and is not water soluble. This would have to be done with the utmost care so as not to remove the lilac ink, which is doubly fugitive, and would be removed, were it to come into contact with the solvent. This would require extremely light and controlled applications with a very fine brush. I find it hard to imagine how this could be successfully done with the value tablet, given how close the green ink is to the lilac ink. Even if one could apply the solvent, it would be necessary to find a way to wipe or otherwise remove the ink, again without smearing it over the lilac ink.

3. By using an eraser or a scraper to remove the ink. This would damage the surface of the paper and it is likely that the ink printed over top would bleed into the paper fibres and diffuse, resulting in unclean lines.

A close examination of these two stamps does not show any trace of painting in white. There are no evidence of erasures, or paper damage, and the re-printed ink is smooth and solid, with clean outlines. There is no evidence of any smearing or other evidence of attempted removal of the green ink. So it remains a very big mystery how the removal of the green ink could have been accomplished by Madame Joseph.

The only other possibility that I can think of, that seems rather far-fetched, is that maybe De La Rue found itself at the end of a large print run of 1/2d Leeward Islands stamps with some sheets that had very poor inking of the green colour, due to the ink running out. It is possible, that rather than throw these sheets out, that maybe they decided to recycle them and simply print the new inscriptions and value tablets over top of the old ink.

I'd be interested to her your comments. I will add the scans of the two stamps when I return from my trip.

Monday, April 21, 2014

The Scarcity of Nigerian Stamps and Postal History Part 3

In my last post, I discussed how I came to decide to collect Nigeria. Now I want to talk a little bit about how several factors influence the scarcity of Nigerian stamps and postal history.

In addition to the numbers printed, there are other factors that greatly contribute to the scarcity of a particular stamp issue, or item of postal history. Such factors include:

1. Whether or not a strong local collector base exists for the material at the time of issue.
2. What the climactic and other conditions are affecting the storage and preservation of the material are.
3. What local attitudes towards the preservation of historic artifacts are, at the time of issue.
4. What the retention habits are for commercial documents and correspondence.

I will discuss how each of these factors appears to play out and affect the scarcity of Nigerian Stamps and postal history and contrast it to the manner in which those factors affect the scarcity of material in North American and European countries.

The Size of the Local Collector Base

Nigeria's collector base up until the 1960's has consisted mainly of British Commonwealth collectors, who were interested in the country because of its membership in the Commonwealth. Many of these collectors were only interested in obtaining one of each basic stamp to complete their sets, since they were collecting the entire Commonwealth. Nigeria does not, even today have a large middle-class, as such, although that is slowly beginning to change. The distribution of wealth is very uneven, with a very tiny percentage being very wealthy and the majority of Nigerians living on subsistence incomes. The result is that very few people could afford to buy stamps that they were not going to use for postage. In addition, many of the British Commonwealth Collectors tend to lose interest in the material once the countries become independent, or due to the very loose new issue policies of all the neighboring countries such as Gambia, Sierra Leone and Ghana, which have issued so many stamps that have little of nothing to do with the country.

In contrast, western countries have had a very large middle class for most of the 20th century, which has permitted the growth of personal hobbies. People have had the disposable income to collect stamps issued by the post office, as they are issued, often in quantity. So local collectors have in addition to the basic stamps demanded other specialty items, such as plate-blocks, sheets, souvenir collections and first day covers. To satisfy the demand, postal authorities have issued quantities sufficient to supply all the collectors who could want the material, which has resulted in depressed prices for much of the modern output.

Because the local collector base for Nigeria has never been strong, and most non-Nigerian collectors tend to lose interest in the post 1960 material, most of the definitive issues printed after 1960 are very hard to find in mint condition, while being very abundant in used condition. Plate blocks and sheets from all periods are very scarce, and in some cases almost non-existent, as there was no reason to preserve them. So many of the blocks and sheets that exist now, are only found thus by happenstance, not because there was a loyal base of collectors who bought them up and preserved them. There are no specialized catalogues for Nigeria that list these items either.  Of course  the above  also means that condition is often less than pristine on these items, with selvedge creases, perforation separations and toning spots here and there, being the norm, rather than the exception. As a case in point, I have yet to find any blocks of the first Queen Victoria issues of Lagos. The earliest ones I have date from the mid 1880's, but I have never seen any from 1874.

Climate and Other Factors Affecting Preservation

The climate of Nigeria is tropical and very humid. Paper does not do very well in this climate, with acidifying and yellowing being a fairly common occurrence. While there are some buildings that are air-conditioned, most Nigerians still live without this luxury. The consequence is that most stamps that have survived in fresh, NH condition will be those that were saved by collectors based outside Nigeria. Most postal history from the area is stained or aged, with fresh, pristine covers being a rarity.

In contrast, the air quality in western countries is much more conducive to the preservation of paper artifacts, with the result that it is possible to find stamps from before 1874 from these countries that are in a perfect state of preservation.

The manner in which stamps are stored greatly affects their condition, and most philatelists have had to learn from trial ane error what works and what doesn't. The hobby has been much more mainstream in western society for much longer, so storage practices have improved to the point that the percentage of material lost to poor storage is much, much less than what is lost in Africa. Collectors here have access to a range of stockbooks and albums that are made from acid-free papers and other quality materials that are inert and do not react with the stamps.

Local Attitudes Toward Historic Preservation

Generally speaking, my observation has been that Nigerian society is not nearly as concerned with the preservation of history as western societies are. There is a widespead interest in advancement, progress and technology, with most Nigerians that I have had dealings with desiring "new" things, as opposed to antiques. Most western countries have a postal museum that preserves some of that country's rarest and most prized stamps. Nigeria, on the other hand does not have a postal museum that I am aware of. I think it is merely a reflection of the fact that preservation of history requires an investment of time and money - time and money that most people simply do not have to spare. However, as Nigeria's ecomony continues to grow and propsper, and the political situation becomes more stable, we should see this trend begin to change, with more people interested in preserving individual items showing Nigeria's history. This should, of course, include Nigeria's stamps and postal history.

Again, the consequence of this lack of preservation is that many of the plate proofs, die proofs, printing records, essays and artwork for stamps printed outside of the UK are rare to non-existent.

Retention Habits for Commercial Documents

In western societies, many organizations have retained information on their members. Often when files are started for members, the original envelope containing their applications are attached to the file. This is one of sources of commercial covers in our society. Although letter writing is uncommon now, it was a very common means of staying in touch as recently as 30 years ago. Furthermore it was common for people to keep the letters that they received from those close to them. Correspondence has indeed supplied philatelists from western countries with many of the covers that are available on the market today. Local covers from western countries are usually quite common, with only those going to exotic foreign destinations being scarce.

In contrast, most Nigerian businesses and people did not generally retain letters and correspondence, so local mail from Nigeria is very hard to come by. Indeed the vast majority of covers that one comes accross come from religious or commercial organizations in the US and UK, that retained the correspondence from their members. Because local mail is hard to find, so too are fine used examples of the lower value commemorative stamps.

The above factors all contribute to the scarcity of many of Nigeria's stamps and covers. To begin with, Nigeria does not issue an outrageous number of stamps. As of the time I write this, there are fewer than 1000 basic Scott numbers for Nigeria and perhaps 200 or so for all of the pre-1914 colonies and territories, which is not a very large number considering that Canada has issued twice as many stamps now, and countries like Australia, Great Britain and the USA have in some cases issued more than 2000 or 3000 stamps. When stamps are issued, except for the common definitives, which are issued in the tens of millions, the modern commemoratives are issued in quantities of between 200,000 and 750,000 usually. This is not a large number at all, when you compare to what the issue quantities have been for the other countries mentioned above. The upshot is that even for modern stamps that most collectors would think of as common and not worth collecting, there is actually quite a challenge to be had from putting togther a collection of town cancels on modern commemoratives. Especially since probably 90% of the mail from Nigeria comes from Lagos, and only 10% from outlying areas. It is a challenge that can be met without breaking the bank, as the catalogue values of most post 1953 stamps are less than $1 each.

Thursday, April 17, 2014

The Scarcity of Nigerian Stamps Part 2

In my last post I discussed the relative scarcity of selected Nigerian stamps from the pre-1914 period. But I did not discuss the scarcity of Nigerian stamps and postal history in general. What I would like to do now is to address the general scarcity of Nigeria and then to talk about overall trends affecting the scarcity of certain issues or collecting fields.

To illustrate the relative scarcity of Nigerian stamps, I would like to tell the story of how I came to choose this country. It was 2008 and I had just sold my Canada collection. I had been yearning to find an area which was rich in varieties and could offer lots of scope for the specialist, but not be so overwhelming as to be unmanageable. I wanted the material from the area to be genuinely scarce, and not merely expensive due to popularity, and yet affordable. Above all, I wanted to choose an area that had future growth potential - one in which the possibility of expansion in demand was possible, but by no means certain. I wanted to collect a country in all its aspects - stamps, proofs, cancels, different printings, covers - everything.

So rather than jump into one of the popular countries that sprung to mind - i.e. Great Britain, USA, Australia, Canada, New Zealand, Western Europe, etc, I decided to do some research. To begin with I googled a list of countries with a population of over 50 million. My thinking was that although there are some cultural differences that make collecting stamps more popular in some countries and not others, the personality profile of most philatelists is fairly similar accross most cultures. Over the years it has been my observation that most philatelists will collect the country they are from. Many will venture out into other collecting fields, but a particular country's material is almost always most popular in the home country. Thus, the population  of one country relative to all others will to some extent also dictate the relative size of the collector market. We have seen this happen with People's Republic of China, where prices for stamps are continuing to grow exponentially, as demand outstrips supply. We are also beginning to see it with India.

Once I had the list of countries, I started looking to narrow it down. I eliminated China right off the bat because it is too expensive, and I know nothing about Chinese philately, so the risk of being taken in by bogus material was just too high in my opinion. Then I considered India, but eliminated it because the scope of that country is just too vast to be able to cover it in all its aspects, and I wasn't that interested in the designs of their stamps.

Then I started looking at auction catalogues for the next year and a half to see how many large collections were offered. My thinking was that if I could spend myself broke on a particular country in nearly every auction I looked at, then I could safely conclude that while that country may have some genuinely scarce stamps, that the material for the country as a whole could not be said to be scarce, since I could buy it all the time. I also took abundance of material as an indication that it might be too overwhelming a task to try and specialize in all aspects of that country. On this basis, I discovered that I could pretty well eliminate every popular country out there - Great Britain, Western Europe, Australia, New Zealand, Japan, Canada, USA.

Then I was left with a handful of countries where the depth and range of material offered for sale was much more limited:

1. Pakistan
2. Indonesia
3. Mexico
4. Nigeria
5. Brazil

I found that I liked the stamps produced by all these countries, and the populations are such that all of them could become very much in demand if a strong collector base were to develop. Pakistan was the least appealing to me merely because it does not start until 1947, and I wanted a country that had some classics. All the others have a classic period and the stamps are all very attractive. Brazil is actually quite expensive, and so I eliminated it on this basis.

With the last three countries, I noticed that while I did ocasionally come accross dealer stocks of Indonesia and Mexico, as well as large collections, I almost never saw large accumulations of Nigeria. I would see the occasional set or single stamps, but generally no collections. When I considered that the population of Nigeria is larger than Mexico and the economic prospects for Nigeria are better than Indonesia, my decision was made.

So that illustrates the process that I went through to conclude that Nigerian material as a whole is scarce.

Next I will discuss trends that affect the scarcity of specific Nigerian stamps and postal history.





Tuesday, April 1, 2014

The Scarcity of Nigerian Stamps

It feels like it has been months since my last post. I have been taking a break from posting in order to concentrate on sorting out my stamps and organizing them into some kind of order. I have been trying to sort the multiple copies that I have of most issues into different printings, papers, shades, perforation types, and so on. As part of my study, I have sought out and acquired the only literature that I can find on the subject, which has turned out to be a few journal articles, written by my fellow study circle members. In the process of reading these articles, I have come across data regarding the issue quantities of many of Nigeria's classic stamps that illustrates why this country has so much upward potential to philatelists looking to get into a collecting area that simultaneously offers breadth, depth and scarcity.

For example, most of the stamps issued prior to 1914 were printed in quantities of less than 50,000 for each stamp, with the 10/- purple brown Queen Victoria of Lagos being the rarest regular issue, with only 420 printed. Within this period, there are scores of higher value stamps above 1/-, that had issue quantities of 5,000 or less. Even more interestingly, the order quantities of the post offices during the period prior to 1914 were quite low, being often just few thousand stamps. So the total issue quantities were often spread over a very large number of small printings. This is a boon for the shade, paper and perforation enthusiast, who can embark on the challenge of obtaining all known printings. Because the quantity of each printing is small, obtaining a full set of all printing types is quite a challenge. It is all the more challenging because there is no comprehensive reference source that lists and describes all the printings and explains how to identify them.

Even stamps that seem to be comparatively common, such as the halfpenny green and one penny carmine Queen Victoria stamps of Lagos, whose total issue quantities were around 800,000 to 1,000,000 were spread out over a massive 35-42 printings each, between 1885-1903. As one begins to study these stamps, it becomes apparent that the vast majority of the stamps on the market date from after 1897, and very few examples seem to be printed before 1890. This means of course, that the original 1884-1885 printings are in actual fact, every bit as scarce and elusive as the earlier 1d stamps from the earlier Crown CA or Crown CC issues. However, the standard stamp catalogues do not make this clear.

You would think that a stamp that had a quantity of less than 5,000 stamps would be worth thousands of dollars, since it is difficult to imagine more than 10-20% of the original quantity surviving. Yet, many of these stamps can still be had for as little as $100, and in some cases, even less than that.

To put in perspective, how ridiculously inexpensive these stamps are, it is useful to get some perspective by looking at what more common stamps from popular countries such as Great Britain, Canada, USA sell for.





From the USA, a $5 stamp from the 1893 Columbian Exposition Issue, was issued in a quantity of 27,350 stamps and sells for anywhere from several hundred dollars to thousands of dollars for a single mint stamp. Then there is this stamp from Great Britain:



It is the beautiful 1929 PUC pound. 61,000 of these stamps were issued in 1929. An average mint or used example will likely set you back at least $500 and a superb example will cost upwards of $1,000.

Or how about this stamp from Australia?

Type O3

This is the 1932 5/- Sydney Harbour Bridge stamp. 72,800 of these were issued. A canceled-to-order example will cost around $250 and a superb mint NH example will set you back about $1,000.

And lastly, this well known stamp from Canada:



This is the $5 Diamond Jubilee stamp from 1897. 15,500 were printed and while a poor used copy can be had for as little as $200, superb NH mint examples are now selling for well over $10,000.

Now let us look at similar Nigerian stamps from the same period.



First up, we have the two highest values in the Queen Victoria set from Northern Nigeria, which was issued in 1900. The total issue quantity of the 2/6d and 10/- was about the same at around approximately 8,000 stamps each - less than half of the quantity issued of the $5 Jubilee above. Yet the 2/6d can be obtained for around $100-$125 in mint condition and the 10/- is about $300-$500, which is curious given that they are both equally scarce.



Then we have this 10/- stamp from Niger Coast Protectorate. Again the total print quantity was just 5,000 stamps, which was spread out over at least three printings and three different perforations. Again, this stamp can be purchased in mint condition for $100-$200 and $200-$300 in used condition.

Last, but not least, there is the 10/- purple brown Queen Victoria stamp of Lagos:



420 of these were issued and a mint example can be purchased for between $1,000 and $2,000.

As you can see, these issues are way scarcer than any of the more famous stamps that have been issued by the more popular Western nations. However, what is also very promising about Nigeria is that it has a population base that is comparable to the USA, and its ecomomy is growing very rapidly. In addition, the restoration of democracy and the fight against corruption, are paving the way for the emergence of a middle class. With this comes the growth of popularity in hobbies involving various collectibles. It is not at all difficult to imagine what will happen to the value of these stamps if Nigeria develops a base of collectors similar to the USA, Australia, Great Britain or Canada.

Canada's 12 Pence Black, one of the 'top 13 most valuable postage stamps in the world' by China.org.cn.

For example, one of Canada's rarest stamps the 12d black above sold in New York in 2011 for $488,900 US. In 1851 51,000 stamps were printed, but only 1,450 were sold, with the rest being destroyed in 1857. Approximately 100 are thought to exist, in various states of condition today. This represents a survival rate of just under 7%. So with an issue quantity of 420 stamps, the 10/- purple brown of Lagos could easily be just as rare as the above stamp, if just under 25% of the stamps survived.

This is just a few of the scarce stamps that this country has to offer. There are also scores of scarce varieties, specimen stamps, multiples and covers that are rarities by world standards. This is a country that I believe has nearly unlimited potential for the forward looking philatelist.

Monday, January 13, 2014

London Postal History Exhibit Part 1

After almost 2 months spent moving house again and doing everything but working on my stamps, I have finally found the time to begin posting the first part of my London postal history exhibit. 

Group 1 – Covers 1-6 Lagos Covers – Universal Postal Union Rates – 1888-1903
The first six covers in the exhibit are examples of single rate letters, sent when the postal rates were regulated by the Universal Postal Union (UPU). The UPU rates came into effect on April 1, 1879. For just over 13 years, the single letter rate was 4d per half ounce. The first two covers both illustrate this rate, and were sent from Lagos to Germany on March 5, 1888 and from Lagos to Berne, Switzerland March 18, 1891. These covers also illustrate representative cross section of nearly all of the Lagos markings that were in use during the period from 1888 to 1903: from Proud type K3, K4, and K5 barred ovals, to D8, D10 and D13 CDS cancels, to R5 Registration markings. 


11.       Sent from Lagos to Munich on March 5, 1888. The 4d rate is paid with a pair of the 2d slate grey keyplate definitive. This is a slightly late use of this stamp, given that the 2d lilac and ultramarine had replaced it in March 1887. Both covers are rated “3” in red on the front, which represents the portion of the postage from Lagos to Germany. The stamps are tied with Proud type K3 9 bar oval obliterator and a strike of the Proud type D8 CDS cancel.

22.       Sent from Lagos on March 18, 1891, to Berne Switzerland. The 4d rate is paid with a single 4d lilac and black, which was the current 4d stamp at that time. The stamp is tied with Proud type K4 8-bar oval, with the narrow bars, which came into use on February 10, 1889, and the Proud type D8 CDS. 


On July 19, 1892, the single weight letter rate was reduced to 2½d per half ounce to all non UK countries, whereas that rate for the UK came into effect in 1891. The next two covers illustrate this rate change.

13.       Sent from Lagos in October 1896 to London. The 2½d rate has been paid with a single 2d lilac and ultramarine and a ½d dull green. The stamps are tied by two strikes of Proud type K5 8-bar oval. Interestingly this cover is a business reply envelope for Myerscough & Co. which were stamp dealers in London. The envelope shows a printed appeal on the top of the envelope to the sender to cover the envelope with stamps.
24.       Sent from Lagos on November 30, 1901 to Germany. The 2½d rate is paid with the same combination of stamps as the third cover. This cover is rated “2” in red, representing the portion of the postage that applied from Lagos to Germany. The stamps are tied by Proud type D13 CDS cancel. 


Registration during this period was 2d, in addition to the normal applicable postage. Covers 5 and 6 provide examples of registered single letters sent to Germany and the U.S. between 1899 and 1903. Both covers show clear strikes of the Proud type R5 registration marking.

15.       Sent from Lagos in February 1903 to Chicago, Illinois. The 4½d rate is paid with two pairs of the 1d carmine and a single ½d dull green.  
26.       Sent from Lagos on January 21, 1899 to Breslau, Germany. The 4½d rate is paid with a single 2d lilac and ultramarine, plus a 2½d ultramarine. The stamps are tied by two strikes of Proud type K5, 8-bar oval obliterator. 

Friday, November 8, 2013

Off to London to the West Africa Study Circle Meeting

Again, another month has just flown by with no posts. The reason for this is that I have been working frantically to get my 12 frame exhibit of postal history ready for the West Africa Study Circle Meeting in London tomorrow. I committed to give this presentation just over a year ago. Back then the plan was to go to the UK for a week. But my life turned upside down this year, and I used all my vacation time. So I'm going to London for 1 day!! I know, it sounds crazy, but I just had to make good on my commitment.

Why am I telling you all this? Because I want to share with you the experiencing of preparing a philatelic exhibit. I have been a philatelist for 36 years now. In that time I have only exhibited once - when I was 12. Back then I knew nothing about exhibiting, and I just threw together all my cheap Canadian stamps on to home-made album pages and sent it in. My exhibit was so bad, it got only a 'merit' for participation. In the intervening years, I have seen many exhibits of very high calibre and thought 'I'll never be able to do that'

The first aspect of exhibiting that you will experience is the indecision of what topic you can choose that will be interesting to your fellow collectors, and that you can assemble enough material in to provide reasonable coverage of the topic at hand. When I was first thinking of what to do, two topics came to mind: one was the Queen Victoria Definitives of Lagos, and the other was the 1973-86 definitive issue. But there were two problems. In the case of the Queen Victoria issues, although I have a lot of the stamps, I am still missing some of the key rarities, and I don't yet know enough about them to write up a 144 page exhibit. In the second case, I have some fantastic material, but again, I have not studied the stamps sufficiently well to write about them.

In the end, I decided to make an exhibit of covers. This way I knew that if I covered the entire Nigerian area from 1874 to date, there would be no expectation of depth in any one issue. Furthermore, I could limit my comments on each cover to a short paragraph describing the attributes of the cover.

So I set about going through my collection of thousands of Nigerian covers to identify what to include in the exhibit. Now when you first hear that you have to compile 144 pages of material, it seems like a lot of material. But as you begin to assemble it, you invariably find that it is not much at all, and less than what you would like to include. I had to "raise the bar" several times to narrow my covers down to a selection of the best covers in my collection. I went for unusual destinations, scarce and unusual combinations of stamps (frankings), and other points if interest. When you start collecting the postal history of Nigeria, you soon realize that covers to the US or UK are relatively common, and you appreciate mail going to other destinations.

After a considerable amount of editing, I put together a 12 frame exhibit of 204 covers, that covers the gamut of different rates, destinations and issues. It was an immensely satisfying experience watching it take shape, and learning about my covers. I cannot wait to hear what the members have to say about huge covers, and how much I will learn from their feedback.

Once I return, I will begin to post the exhibit in its entirely.

Friday, September 27, 2013

Eleven More Interesting Classic Covers


I am long overdue for another post. Gosh how time flies! It is hard for me to believe that nearly two months has flown by since I wrote my last post. I have, as I write now selected all the covers that I wish to include in my exhibit at the upcoming West Africa Study Circle meeting in London. I have selected 207 covers from Lagos, all the way through a strong showing of the 1973-1986 definitive issue. This selection  includes nearly all of the covers that I have presented in previous posts, plus all the best covers from my collection. In selecting them I have focused on exotic destinations, and multi-stamp frankings, as well as famous recipients and postage due covers. 

The covers that are the subject of this post, are a small batch that I have acquired over the past few months from various sources and with one exception, all are from Southern Nigeria. However, the first cover is from Nigeria, featuring the common 1d stamp from the 1921-1936 Script Watermark Issue:




The cover is an underpaid  first class cover to Germany, franked with a single 1d carmine die 2, which has been tied by a strike of Proud type D53 or D54 Lagos hand-stamp dated October 14, 1929. The postage was supposed to be 3d, so a Proud type UP8 taxation handstamp was applied to indicate the shortpayment. The deficiency when doubled, translates into 35 pfenings, which has been indicated on the front of the cover in blue pencil. 

The next cover is a double weight cover from the German West African Trading Co. in Calabar, to Lome in Togo: 


The cover has been franked with a pair of the 2.5d King Edward VII stamps, which have been tied by a strike of either Proud type D30, D31 or D32 Lagos CDS handstamp. The cover left Lagos, and arrived in Porto Novo, Dahomey on November 7, as indicated by the receiving backstamp. It then went on to Agoue, Dahomey on November 9. There was no backstamp to indicate when it arrived in Lome. 

The next cover originates from the same organization, but this time has been sent from Calabar, and instead of being double weight, it is a single weight letter rate:


The front of this cover, like the one above indicates that the cover was to be routed via Lagos, although this one specifies that it was to be carried on a steamship, although I cannot read the second name. The cover is addressed to Anecho, Togo, and the stamp is tied by a clear strike of Proud type D15 Calabar CDS. 


The back of the envelope shows that while there is a Lagos transit backstamp, there is no receiving handstamp for Anecho, Togo. 

The fourth cover in the lot is one of my favourites. It is a registered single weight cover sent from Lagos on April 28, 1907 to Brussels, Belgium:



The cover is franked with single copies of the 4d and 1/2d King Edward VII keyplate definitives, printed on chalk surfaced paper in the first head plate die. These stamps together pay 2d registration, plus 2.5d postage. They are ties by strikes of Proud type R9, Lagos registered oval handstamp. There is a red registration transit stamp dated May 19, 1907 when the cover arrived in London. 


The back of this cover shows the transit handstamp applied in London on May 18, 1907, when the cover left the U.K. To the left of this, is a small oval receiving handstamp applied in Brussels, but unfortunately the date is missing. 

The next cover illustrates nicely how the stamps of Lagos continued to be used after amalgamation with Southern Nigeria in 1906. This cover is also a single weight registered cover, sent from Lagos on August 26, 1907 to Brussels, Belgium:


The cover is franked with a single 2.5d Lagos King Edward VII keyplate, and a pair of the 1d carmine King Edward VII keyplate definitives printed from the die A headplate. It should be noted that this was a very early use of the 1d stamps, which were issued two weeks earlier on August 12, 1907. The stamps are tied with clear strikes of Proud type R9 Lagos oval registered handstamps.  A registration label has been affixed at the London Foreign Sorting Office, and two strikes of the Proud type R5 registration marking appear in the upper left corner. 


The back of the above cover shows that it reached London on September 13, 1907 and was despatched on the same day, arriving in Brussels late in the evening. 

The next cover was a single weight envelope from the same correspondence as the second and third covers above, sent from Calabar to Lome, Togo on August 26, 1910. 


The postage was paid with a 1/2d bicoloured Edward VII keyplate, printed on chalk surfaced paper (a late use, as the 1/2d green was already in use), and two 1d carmine keyplates printed from headplate die B. All are tied with Proud type D15 Calabar CDS.


The back of the cover shows the transit backstamps quite nicely, with the cover arriving in Lagos on August 29, Porto Novo, Dahomey on August 30, and both Grand Port, Dahomey and Agoue, Dahomey on September 1, 1910. 

The next cover is a single weight registered cover sent from Lagos, on November 29, 1909 to Old Calabar:


This cover is franked with a single copy of the 3d brown on lemon, King Edward VII keyplate definitive, which was issued just a few months earlier in July 1909. It pays 2d registration, plus 1d inland postage. The stamp is tied with clear strikes of Proud type R9 Lagos oval registered handstamp. Although the back is not shown, there is a similar Proud type R9 oval registered handstamp for Calabar, which shows that the cover arrived on December 8, 1909. 


The next item is a scarce example of a commercial use of the surcharged postcard for Southern Nigeria, which is part of the same German West Africa Trading Company correspondence as covers 2, 3, 6 and 7 above. It was sent from Lagos to Lome, Togo and has been uprated by affixing a 2.5d bicoloured Edward VII keyplate, making 3d total postage. I believe that this card may be registered, as the rate for a standard postcard overseas was 1d. However, there are no registration markings on the card. It left Lagos on April 5, 1910 and arrived in Porto Novo, Dahomey on April 11.

The next cover is a single weight surface cover to the U.K, carried aboard the S.S Tarquah, sent on October 9, 1902 from Bonny River:


The cover is franked with a single carmine and sepia 1d Queen Victoria keyplate definitive, tied by a single strike of Proud type D2 CDS. The S.S. Tarquah was a commercial ocean liner that was built by Stephen and Sons Ltd. in Glasgow in 1902, so this cover was sent in its first year of service. The ship was sunk on July 7, 1917 by a German U-boat. The back of the cover shows a Chippenham receiving handstamp dated October 28, 1902.

The next cover is a single weight cover to the Funk and Wagnalls Publishing Company in New York. It was sent on March 15, 1908 from Forcados River


The postage has been paid with a strip of 5 1/2d bicoloured Edward VII keyplates printed on unsurfaced paper, and are tied by strikes of Proud type D4 Forcados CDS. 

The last item is another scarce commercially used example of the 1/2d surcharged postcard from Southern Nigeria, sent from Lagos to Halberstadt, Germany, on April 8, 1908:



The card has been uprated to 1d by affixing a copy of the 1/2d green Edward VII keyplate definitive, printed from headplate die B. The stamps are tied with clear strikes of the Proud type D24 Lagos CDS